Data poisoningat sea.

Ships tell the world where they are. That record is being jammed, spoofed and rewritten. Anopticon is solving for data poisoning in the maritime domain.

Move across the water. Inside the ring, the poisoned reports show.Tap the water. Inside the ring, the poisoned reports show.

10 October 2026

Forty-nine ships in the Bosphorus reported positions in Lima, Peru. None of them sailed there.

Where they were
The Bosphorus41.56° N 28.98° E
Where they said
Inland Lima12.04° S 77.05° W
Apart
12,221 kmmedian, per ship

Proof

“Give me the ocular proof.”

Othello, Act III, Scene 3

Othello asked for proof and took a handkerchief. Most data is still trusted that way. We hand over the evidence and the means to check it.

Physics can’t be poisoned.

Poison the data and a model learns the spoof. A hull obeys physics whatever the data says.

Projects

One question, asked of every machine that reports where it is. Sea first.

Black-figure painting on a small oil jar: Heracles grips Nereus, who has a fish's scaled tail and a lion springing from his back.
Heracles holds Nereus through every change of shape. Lekythos by the Istanbul Painter, about 590 BC. Louvre.

Project Nereus

The sea. Now.

Nereus, the old man of the sea. Hesiod calls him the one who is true and lies not. To get a straight answer from him you had to hold on while he became a lion, a serpent, water.

Ship data shifts shape the same way. Nereus is our work on the sea: what really happened, and the means for anyone to check it.

Line drawing from a Greek vase: Hermes strikes Argus, whose body is covered in eyes, while Zeus watches from his throne.
Hermes kills Argus, the giant covered in eyes. After an Athenian red-figure vase; drawing published by W. H. Roscher.

Project Argus

The watchers. Next.

Argus Panoptes had a hundred eyes and never closed them all. Hermes lulled every one to sleep and killed him anyway.

Watching everything is not the same as seeing what is true. Argus is for the navies and coast guards who watch the sea.

Engraving of a heavily armed three-masted ship under sail; high in the sky, Daedalus flies on and Icarus falls from the sun.
Armed three-master with Daedalus and Icarus in the sky. After Pieter Bruegel the Elder, 1561–65. The Met.

Project Aether

The sky. Later.

Aether, the bright upper air. Bruegel put a warship and a falling Icarus in one frame: sea and sky, each trusting what it is told.

Aircraft broadcast where they are too, and that record can be poisoned the same way. Aether takes the question up.

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